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Aliyu

Greener Journal of  Art and Humanities Vol. 5 (1), pp. 001-005, May 2017

ISSN: 2276-7819

Research Paper

Manuscript Number: 101916184

(DOI: http://doi.org/10.15580/GJAH.2017.1.101916184)

Linear Patterns and Motifs: AN Appraisal of Kambari Patterns and Motifs for Body Decoration

Aliyu Mohammed Bisalla

School of Environmental Studies, Department of Arts and Industrial Design, Federal Polytechnic Nasarawa, Nigeria.

Abstract

This paper attempted to examine the impact of line as the most fundamental element of design for visual communication purposes, different types of lines were also identified with their impressions or gestures, the paper went further to appraise Kambari body markings  as patterns and motifs basically  represented in lines for body decoration and communication of certain ideals, such as lineage, religion, imparting communal identity and some other distinct social messages in one way or the other. The paper further identify some Kambari body patterns and motifs commonly use for decorative purposes and their meanings.

Keywords: line, Body decoration, Patterns and motifs.

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References

Ajibade, N. (2006). “Contemporary female body Decoration a case study of Ahmadu Bello University Zaria”. Unpublished Bachelor of Arts‟ Project report (Fine Arts) Zaria, Ahmadu Bello University, (pp.8, 13-14).

Aliyu Mohammed (2014) Developing painting possibilities from Kambari patterns and motifs. Unpublished MFA thesis, Zaria: Ahmadu Bello University.

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Ekong Clement, (2014) “An appraisal of line language communication” Line speak an exhibition catalogue of contemporary drawings. Akwa Ibom State: Society of Nigerian Artists. (Pp.27- 29)

Idiong Stella, (2014) “Contour Drawings” Line speaks an exhibition catalogue of contemporary drawings. Akwa Ibom State: Society of Nigerian Artists. (Pp.13)

Lamidi Lasisi,(2010) “Linear spatial forms in sculpture: a perspective on its practice in contemporary modern art”. A journal of Anthropology of modern Nigerian art, Zaria: Ahmadu Bello University (Pp.13)

Omagu, S. O. (2010). “An Adaptation of Bekkwarra Onyya Linear Body Scarification motifs for visual aesthetic expression in painting”. Unpublished MFA thesis (FineArts) Zaria, Ahmadu Bello University, (p.9)

Sani, M. (1995), “The traditional motifs on decoration and body scarification in Birni Katshina”: Unpublished B.A Fine Arts, project report Zaria, Ahmadu BelloUniversity, (p.1).

Journal Name : citation_journal : Greener Journal of  Art and Humanities 

Publication Status/Date : usp_status_date : May 2017